About Daniel Montoute
Daniel Montoute is a visual artist and cultural strategist whose large scale paintings are held in a growing number of private and institutional collections. Born in the U.S. Virgin Islands and now based in Kansas City, Montoute creates oil and mixed media works that blend the improvisational energy of jazz with rigorous composition. Known for vivid color, layered textures, and reclaimed materials, his work explores themes of resilience, displacement, and the beauty embedded in struggle. Montoute’s paintings have been featured in exhibitions at Westwood City Hall, Pendleton Arts Block, the American Swedish Institute, and the Macon Arts Alliance.
Montoute’s practice extends beyond the studio into Montoute Arts, the cultural enterprise he founded to merge artistic production with strategic enterprise. Through Montoute Arts he has produced over 100 exhibitions and civic programs, raised six figure funding, and created platforms that drive economic mobility by turning cultural capital into capital. He serves as Artist Liaison at The Arts Asylum and as a Board Member Serving as Development Committee Chair at reStart Inc., where he led Living in Tents (2025), a civic exhibition at Westwood City Hall confronting homelessness through large scale public artworks and community engagement. Montoute has been a featured speaker at the Kansas City Art Institute, Mercer University, and Middle Georgia State University, and served as panel leader at Global Entrepreneurship Week Kansas City, where he spoke on social entrepreneurship and economic development through the arts. Drawing from hands on experience in banking and in real estate development, Montoute approaches cultural enterprise as civic infrastructure, building platforms that generate lasting economic and social impact.
Artist Statement:
My practice is an inquiry into the aesthetics of resilience and the politics of displacement. I create large scale paintings that examine the materials, social hierarchies, and theological structures that shape human value at the margins of society. The work does not aim to provide answers but to hold the tension between hardship and transcendence.
The process is an act of construction and excavation. I layer acrylic, oil, and vernacular materials such as found objects that carry their own histories, then scrape back and rebuild the surfaces. This physical dialogue with the canvas mirrors the way histories and possibilities are buried and revealed within a human life, leaving a record of the struggle.
Visually, the paintings operate at the intersection of abstraction and representation. I use bold and often dissonant color palettes to create a direct phenomenological experience for the viewer, an immersive space for contemplation that bypasses purely intellectual readings. The goal is to create an object that is felt as much as it is seen, one that contains its own complete history and commands its own space.